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2004, FRENCH FILM DIRECTORS, ISBN 0719064813
Book
2004, Studies in European cultural transition, ISBN 9780754635413, Volume 31, 261
Book
2017, Edinburgh studies in film and intermediality, ISBN 9781474407144, xv, 363 pages
Book
Screen, ISSN 0036-9543, 07/2017, Volume LVIII, Issue 2, p. 218
Discusses the use of footage from Hollywood films in the creation of video artworks, commenting on issues of commercial co-option and the relationship between... 
Cinematic references in films | Films in films | ART AND THE CINEMA | FILM REFERENCES IN FILMS | VIDEO ART | Fine arts and the cinema | FOUND FOOTAGE, USE OF
Journal Article
Screen, ISSN 0036-9543, 06/2017, Volume 58, Issue 2, pp. 218 - 228
Long before found footage emerged as the dominant artistic genre it has now become, the critic and experimental filmmaker Jonas Mékas foresaw a time when the... 
FILM, RADIO, TELEVISION
Journal Article
10/2007, ISBN 0748620427
Book
Screen, ISSN 0036-9543, 07/2017, Volume LVIII, Issue 2, p. 197
Introduces a dossier of articles on the 'reflexive turn' in Hollywood cinema, commenting on the industry's reworking of its own history through strategies such... 
Cinematic references in films | INDUSTRY, FILM/USA | United States of America | Films in films | FILM REFERENCES IN FILMS | HOLLYWOOD | U.S.A
Journal Article
Framework, ISSN 0306-7661, 10/2013, Volume 54, Issue 2, pp. 192 - 207
Appearing at the uncertain junction between appropriation and creative hybridization, Christian Marclay's 2010 video installation, "The Clock" arguably stands... 
Motion picture industry | Art museums | Art archives | Moving images | Modern art | Montage | Movies | Film archives | Capitalism | Clocks | found footage | dramatic arts | video art | The Clock | Marclay, Christian | television and video
Journal Article
2013, International Library of Visual Culture, ISBN 9781780760131, Volume 3, xiii, 242 p., [8] p. of plates
Art today is an increasingly multifaceted phenomenon, encompassing transgressive works that intervene in war, inequalities, ecological disasters, and... 
Feminism and art | Art and society
Book
Framework, ISSN 0306-7661, 10/2013, Volume LIV, Issue 2, p. 192
Artists are increasingly making use of found footage in their work. Christian Marclay's mammoth project "The clock" is chosen as the ultimate example of this... 
FOUND FOOTAGE, USE OF
Journal Article
Framework: The Journal of Cinema and Media, ISSN 0306-7661, 2013, Volume 54, Issue 2, pp. 192 - 207
Journal Article
2011, ISBN 0748641602, vi, 242
Explosive images of sex and violence in films by directors such as Catherine Breillat, Gaspar Noe, Michael Haneke and Lars von Trier have attracted media... 
Motion pictures | Violence in motion pictures | Film Studies | Sex in motion pictures | History | Europe
Book
Studies in French Cinema, ISSN 1471-5880, 01/2012, Volume XII, Issue 3, p. 257
Notes how contemporary French women's cinema of the digital era tends to focus on bodily aspects and functions, possibly as a response to the increasing sense... 
BODY IN FILMS | DIGITAL CINEMA | Digital filmmaking | WOMEN'S CINEMA/FRANCE
Journal Article
Studies in French Cinema, ISSN 1471-5880, 01/2011, Volume XI, Issue 1, p. 3
Brief note on the death of British film historian John Orr. 
Journal Article
Studies in French Cinema, ISSN 1471-5880, 01/2011, Volume 11, Issue 1, pp. 3 - 3
Journal Article
Image (&) Narrative, 01/2016, Volume 17, Issue 5, pp. 66 - 79
In Theatre and its Double Artaud explored how the plague communicates beyond simple contact, bringing death to those it touches, but also bringing fear,... 
Journal Article
Studies in French Cinema, ISSN 1471-5880, 01/2012, Volume 12, Issue 3, pp. 257 - 271
Looking at a series of moving-image-based works ranging from mainstream film to multimedia installations by female film-makers and artists, this article... 
digital | Agnès Varda | Frédérique Devaux | Isabelle Lévénez | haptic aesthetics | Chantal Akerman | Sophie Calle | Isabelle Lévé nez | Digital | Haptic aesthetics | Agnes Varda | Isabelle Levenez | Frederique Devaux | FILM, RADIO, TELEVISION | memory | women filmmakers | death | dramatic arts | video art | film | aging | France | motherhood | female body
Journal Article
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