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1981, Rev. ed. --, Penguin plays, ISBN 9780140481600, 109
Book
1992, Rowohlts Monographien, ISBN 9783499505232, Volume 523., 160
Book
2006, ISBN 9780195151978, xii, 337
Since its beginnings, opera has depended on recognition as a central aspect of both plot and theme. Recognition — or anagnôrisis, Aristotle's term in the... 
Opera | Mozart, Wolfgang Amadeus, 1756-1791. Operas | Critical Theory of Music | Baroque Music | Enlightenment | Anagnôrisis | Plot | Poetics | Sensibility | Aristotle | Terence cave | Themes of knowledge
Book
1993, Cambridge music handbooks, ISBN 0521409241, xii, 110
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