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Book
2016, ISBN 022618076X, Volume 54572, xii, 264 p., 12 unnumbered p.s of plates
Miles Davis’s Bitches Brew is one of the most iconic albums in American music, the preeminent landmark and fertile seedbed of jazz-fusion. Fans have been... 
Davis, Miles | Jazz musicians | 1961 - 1980 | Jazz | History and criticism | Jazz - 1971-1980 - History and criticism
Book
2005, Life & times, ISBN 1904341799, 170
Book
American Studies, ISSN 0026-3079, 1/2013, Volume 52, Issue 4, pp. 35 - 55
Some of her music from her early years is sampled by hip-hop artists from Ice Cube and Method Man to Redman and the drum 'n bass duo the Underwolves,2 and her... 
Musical performance | Soul music | African American culture | Music criticism | Jazz | Love | Music | Rock music | Funk | Musical rhythm | Essays | Funk (Music) | Davis, Betty (Vocalist) | Works | History | African American singers | Musicians & conductors | Music industry | Musical performances | Hip hop
Journal Article
Text and Performance Quarterly, ISSN 1046-2937, 07/2014, Volume 34, Issue 3, pp. 304 - 316
This artist's statement and excerpts from the performance script present an autobiographical reading of the music and autobiography of the trumpet player Miles... 
Miles Davis | Dialogic performance | Pedagogy | Voice | Music | Davis | HUMANITIES, MULTIDISCIPLINARY
Journal Article
Annual Review of Jazz Studies, ISSN 0731-0641, 2000, pp. 91 - 107
The recording sessions for Miles Davis's "In a Silent Way" and "On the Corner" are detailed and analyzed. Several participating musicians comment. Although... 
Davis, Miles | Jazz | Quintets (Performing Ensembles) | Musical Analysis | Criticism | Jazz Musicians | Controversy | Recording Sessions | Sound Recordings
Journal Article
Black Music Research Journal, ISSN 0276-3605, 1/2002, Volume 22, Issue 1, pp. 71 - 105
Gary Tomlinson makes an in-depth exploration of black artistic forms, concentrating on literature and the use of language. 
Literary criticism | African American culture | Music criticism | Jazz | Dialogism | Archaeological paradigms | African American studies | Musicians | Musical expression | Musical rhythm | MUSIC | Literature | Analysis | Rhetoric | Jazz music
Journal Article
Raritan: a quarterly review, ISSN 0275-1607, 2002, Volume 22, Issue 1, p. 153
Journal Article
11/2005, Volume 18, Issue 887
  This is partly due to jazz's perennial struggle to come to terms with the more visceral excitements of rock, which first started stealing audiences around... 
Musical recordings | Musicians & conductors | Davis, Miles | Jazz | Musical criticism
Magazine Article
04/2001, Volume 14, Issue 652
  Through the Sixties and up to another watershed with the "invention" of jazz-rock, [Miles Davis] continued to demonstrate his ability to orchestrate rather... 
Musicians & conductors | Davis, Miles | Jazz | Future | History
Magazine Article
02/2004, Volume 21, Issue 2
Many people still believe that Miles Davis' music took a downward turn after his 1981 comeback, which followed his descent into drugs and self-destruction from... 
Davis, Miles | Music History | Jazz | Playing Styles | Warner Bros | 1990s | Jazz Musicians | Artistic development | Creativity | 1980s | Trumpet Players | Sound Recordings
Magazine Article
03/2003, Volume 20, Issue 3
The history of jazz fusion is discussed. Trumpeter and bandleader Miles Davis was the leading innovator of the movement in the 1970s and influenced later... 
Hancock, Herbie | Davis, Miles | McLaughlin, John | Innovation | Music History | Jazz | Musical Influences | Zappa, Frank | Corea, Chick | Jazz Musicians | Fusion | Historical Significance
Magazine Article
New York Times (Online), 05/2001
Robin D G Kelley article profiles Miles Davis on occasion of what would have been Davis's 75th birthday; says Davis has been hailed as musical genius and... 
Davis, Miles | Blaxploitation films | Jazz | Music | American culture | Cocaine | Race relations
Newspaper Article
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