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2017, Oxford handbooks, ISBN 0199372136, xxx, 700 pages
Music | Technological innovations | Instruction and study | Digital citizenship | Educational change | Music literacy | Creative practice | Educational technologies | Evidence-based education | Preservice teachers | Technology skill development | Participatory culture | Sound and place | Initial teacher education | Deterritorialization | Adaptive technology | Distinction | Learners with exceptionalities | Makers | Music learning | Music education curriculum | Africa | Techno-human future | Praxis shock | Long-distance learning | Musical subjectivity | Pop | Twenty-first-century skills | Instrument-making | Universal design for learning | Romanticism | Technological determinism | Finland | Stakeholders | Teacher preparation | Music teacher education | Learning and teaching | Music teacher roles | Problem-finding | Authority | Musicians workshop | Disabilities | Slow music | Collaborative model | School classrooms | Contextual | Innovation | Faculty development | Literacies | Innovative pedagogies | Professional development | Communication | Context | Multimedia | Social | Skill development | Techné | Public health communication | Self-determination | Social technologies | Musically educated | Education technology | Irrelevant | West africa | Out-of-school learning | Curriculum | Place | Power | Participation | Enabling technologies | Humans | Music notation | Totally pedagogized society | European perspectives | Living well with less | Learner-centered | Metaphor | Multiarts | Teaching | Learning | Creative literacy | Networked technologies | Heidegger | Pedagogical fundamentalism | Peer-to-peer learning | Technology and music creativity | Sound recordings | Teenagers | Digital technology | Primary schools | Creation | Technological affordances | Interaction | Behavior change | Parochial practice | English secondary schools | Music teacher preparation | Music technologies | Democratic education | Scepticism | Music technology | Digital audio workstations | Maker space | Technology integration | Technological limitations | Tpack | Mobile learning | Information and communication technology | Internet | Savoring | Teacher attitudes | Practice-led enquiry | Greek education | Postsecondary music education | Teacher resistance | Inclusion | Epistemology | Hip-hop | Administrative technologies | Equity | Risk | Narcissism | Higher education change | Poiesis | Classroom music teaching | Classroom | Community music | Digital pedagogy | Technology traditions | Authentic processes | Autonomy | Children | Music education technology | Popular music | Aristotle | International | Non-formal music education | Composition | Health | Globalization | Pop music | Rhythmic video games | Exploration | Motivate | Learner/musician | Apprenticeship | Higher education | Slow food | Informal learning | Community | Gender issues | Music fluency | Education policy | Autonomy popular music | Credentialing | Education 3.0 | Communities of musical practice | Music education | Prosumer | Technology access | School-based routes | Pre-service teachers | Ict in music education | Musical intelligence | Mediatization | Augmenting music | Local | Disease control | Creativity | Technologies | Technology competencies | Local context | Totally technologized society | Teacher educator | Teaching with technology | Performance | Sociocultural | Digital natives | Texas music education | Guinea | Diversity | Teacher certification | Invention | Ensembles | Implementation | Empowerment | Technogenesis | Well-being | Music teachers’ concerns | Sociology | Musical analysis | Informal music learning | Digital literacies | Pedagogy in-service preservice | Sequencing | Information communications technology | Communities of response | Conservatory model | Tools | Spreadability | Flow | Learning resources | African context | Interest-driven learning | Play | School experience | Pedagogy | Recording | Differentiation | Integration of technology | Policy | Choice | Digital arts | Music teacher certification | Limitations | Passeur culturel | Celebrities | Radical pedagogy | Education | Ofsted | Technology | Learner agency | Electronica | Culture | Musicking | Role of technology | Pedagogical paradigms | Teacher training | Digital culture | Ethnomusicology | Youth | Vulnerability | Pressure | Mobile technologies | Place philosophy | Digital media | Piano | Groove | School music | Internet evolution | Software | Musicianship | Technology use philosophies of technology | Assimilation | Facilitator | Constructionism | New media | At-risk student | Self led development | Music teacher educators | Rhythmic video games music technology | Notation | Music making | Perspective | Music experience | Higher music education | Participatory music | East timor | Music theory | Triple revolution | Portfolios | Ethnography | Futurism | Gcse examination | Music teacher attitudes | West | Fear of change | Digital music | Opportunities | Change | Commodification | Linguistic relativity | Digital instruments | Technological assimilation | Digital learners | Inclusive | Pluralism | Collaboration | Teacher education
Book
2014, The key debates, ISBN 9089645713, Volume 4, 413
Book
2008, New perspectives in crime, deviance, and law series, ISBN 9780814757246, xv, 323
Book
Law/technology, ISSN 0278-3916, 1980
Journal
Learning and leading with technology, ISSN 1082-5754, 1995
Journal
2018, ISBN 0813594197, vii, 195 pages
College preparation programs | Study and teaching (Higher) | First-generation college students | Educational technology | United States | Education | Technology | EDUCATION | Higher | Educational technology-Study and teaching (Higher)-United States | College preparation programs-United States | First-generation college students-United States
Book
2007, 1. Aufl., ISBN 0471743003, xv, 307
Book
2009, ISBN 0309130506, xvi, 103
Book
2014, Palgrave pivot., ISBN 9781137476647, viii, 101
Psychological aspects | Self-presentation | Social media | Self-perception | Technology & Engineering | Self-representation, self-presentation, self-portraits, selfies, life-writing, blogging, blogs, wearables, quantified self, big data, surveillance, panopticon, new aesthetic, machine vision | New Media and Digital Media | Media Studies | Media, information & communication industries | Popular Culture | Personality | Cultural and Media History | Cultural Theory | Media and Cultural Theory | quantitative self | Self-portraits | Blogs | wearables | selfies | personal data | self-portrait | Instagram | self-representation | dataism | big data | Facebook | Cultural and Media Studies
Book
10.
Paper tigers, hidden dragons
: firms and the political economy of China's technological development
2016, 1st edition., ISBN 0198777205, xvii, 279
Book
Information and software technology, ISSN 0950-5849, 1987
Journal
2005, ISBN 0691121826, Volume 9781400835768, xv, 234
Technology & Engineering | Public Policy | Social Aspects | General | JPP | Political Science | PDR | Evaluation | Political participation | Internet in public administration | Computer network resources | United States | Technology | Democracy | Data processing | Administrative agencies | TECHNOLOGY & ENGINEERING | POLITICAL SCIENCE
Book
13.
ULSI front-end technology
: covering from the first semiconductor paper to CMOS FINFET technology
2017, ISBN 9789813222151, xi, 234 pages
Book
Information technology and libraries, ISSN 0730-9295, 1982
Journal
2009, 1. Aufl., ISBN 047099617X, xxii, 827
Book