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New York Times (Online), 08/1997
Larry Wolff reviews book Prague in Black and Gold. Scenes From the Life of a European City by Peter Demetz (L) 
Theater | 16th century | Brahe, Tycho | Mahler, Gustav (1860-1911) | Writers | Jews | Slavic languages | Kafka, Franz (1883-1924) | Hus, Jan (1370?-1415) | Books | Milosz, Czeslaw | 14th century
Newspaper Article
10/2007, Volume 22, Issue 3
Michael Tilson Thomas, the conductor and music director for the last 12 years of the San Francisco Symphony (SES), is profiled. Both the conductor and the... 
Composers | Romantic Music (Classical) | Live Recordings | Mahler, Gustav | Music Awards | Orchestral Music | Symphony Orchestras | Conductors | Tilson Thomas, Michael | San Francisco Symphony | Sound Recordings | Musical recordings | Musical instruments | Musicians & conductors | Folk music | Sound | Mahler, Gustav (1860-1911)
Magazine Article
06/2008, Volume 125, Issue 6, 3
Yet Mahler's own music has survived, and who can doubt that we are far more fortunate to have the scores of his ten symphonies than the records he did not live... 
Composers | Works | Criticism and interpretation | Musicians & conductors | Clocks & watches | Mahler, Gustav (1860-1911) | Music | Opera | Musical performances | Composers, Austrian | New York Philharmonic-Symphony Orchestra | Biography | Classical music | Metropolitan Opera (New York, N.Y.) | Conductors (Music)
Magazine Article
The Musical Quarterly, ISSN 0027-4631, 7/2006, Volume 89, Issue 2/3, pp. 237 - 272
Journal Article
19th Century Music, ISSN 0148-2076, 2010, Volume 33, Issue 3, pp. 247 - 269
The opening of Gustav Mahler's "Der Abschied" from "Das Lied von der Erde" demonstrates a special set of musical conditions that include spare textures, a wide... 
Music and Other Literary/Performing/Visual Arts | Composers | Schiele, Egon | Spatial Imagery | Comparative Analysis | Painters | Mahler, Gustav | Klimt, Gustav | Musical Analysis | Lieder | Vocal Music | Mahler | Schiele | "Abschied" | Klimt | Moderne | MUSIC | Nature | Composition (Music) | Analysis | Space | Quality | Music | Ideology | Personality | Opacity | Syntax | Musicology | Opera
Journal Article
19th-Century Music, ISSN 0148-2076, 07/2012, Volume 36, Issue 1, pp. 58 - 83
“You must have had the experience of burying someone dear to you,” wrote Gustav Mahler in a letter explaining his Second Symphony to the music critic Max... 
Symphonies | Musical keys | Musical register | Memory | Melody | Death | Sadness | Depressive disorders | Musical motives | Musical rhythm | Gustav Mahler | Hermeneutics | Mourning | Second Symphony | MUSIC | memory | hermeneutics | mourning | Composers | Works | Analysis | Grief | Orchestras | Music | Listening comprehension | Musical performances
Journal Article
Nineteenth Century Music, ISSN 0148-2076, 06/2011, Volume 35, Issue 1, pp. 72 - 89
A quest, a murder, and musical retribution through a dead body part that sings: these are the elements of the folktale known as "The Singing Bone, a... 
Das klagende Lied | Mahler | Performance | Narrative | Voice | Voiceobject | voice | MUSIC | performance | narrative | voice-object | Composers | Cultural values | Singing | Narratives | Music | Ideology | Folklore | Theme | Poetry | Embodiment | Musical performances
Journal Article
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