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DOC On-Line: Revista Digital de Cinema Documentário/Revista Digital de Cine Documental/Digital Magazine on Documentary Cinema/Revue Electronique du Cinema Documentaire, ISSN 1646-477X, 2009, Volume 6, p. 250
Journal Article
Journal Article
Film & History: An Interdisciplinary Journal, ISSN 0360-3695, 2017, Volume 47, Issue 2, pp. 55 - 56
Journal Article
DOC On-Line: Revista Digital de Cinema Documentário/Revista Digital de Cine Documental/Digital Magazine on Documentary Cinema/Revue Electronique du Cinema Documentaire, ISSN 1646-477X, 2011, Volume 10, p. 5
Journal Article
Studies in Documentary Film, ISSN 1750-3280, 01/2009, Volume 3, Issue 2, pp. 131 - 146
Voice is a concept that is a metaphoric proxy for authorship in a wide range of areas of human creativity. In the area of documentary filmmaking, Bill Nichols'... 
David MacDougall | Documentary | ventriloquic | Greek Chorus | Bill Nichols | Australia | Voice | dialogic | choric | Choric | Ventriloquic | Dialogic | narrative voice | dramatic arts | authorship | film genres | The Voice of Documentary | film | documentary film | Nichols, Bill
Journal Article
02/2016
  Canada's Finance Minister Bill Morneau has just wrapped his meeting with counterparts across the G20. 
ANDREW NICHOLS
Transcript
Studies in Documentary Film, ISSN 1750-3280, 01/2011, Volume 5, Issue 2-3, pp. 157 - 167
This essay focuses on the following documentaries: Simona Ercolani's La classe operaia va all'inferno/The Working Class Goes to Hell (2008), Pietro Balla and... 
collective memory | empathy | Italy | factory workers | global capitalism | work-related deaths | Turin | Repetto, Monica | factory | Ercolani, Simona | working class | film genres | Balla, Pietro | film | Calopresti, Mimmo | ThyssenKrupp Blues | documentary film | Nichols, Bill | explosion | dramatic arts | La classe operaia va all'inferno | narrative technique | capitalism | La fabbrica dei tedeschi
Journal Article
Queen's Quarterly, ISSN 0033-6041, 1998, Volume 105, Issue 2, p. 228
  As her name barely hides, the [Kathy Bates] character is beholden to the presidential hopeful, Governor Jack Stanton (John Travolta), and his wife [Susan... 
film | Nichols, Mike | dramatic arts | Primary Colors | Politics & government | Motion pictures | History & criticism
Journal Article
IAFOR Journal of Media, Communication & Film, ISSN 2187-0667, 07/2014, Volume 2, Issue 1, pp. 103 - 127
Bill Nichols’ “modes” theory of classifying documentary films by describing them in terms of poetic, expository, observational, participatory, reflexive and... 
documentary films | Ai Weiwei | Helvetica | Bill Nichols | narrative
Journal Article
Camera Obscura: Feminism, Culture, and Media Studies, ISSN 0270-5346, 2007, Volume 22, Issue 3, pp. 1 - 23
Journal Article
Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, 12/2019, Issue 9
Natalia Klimova`s review of the book Soul of the Documentary: Framing, Expression, Ethics by Ilona Hongisto 
jacques rancière | kanerva cederström | stella bruzzi | affect | félix guattari | albert maysles | film aesthetics | ethics | chantal akerman | bill nichols | jayce salloum | david maysles | cinematic frame | gilles deleuze | pirjo honkasalo | documentary | chris marker
Journal Article
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