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2009, ISBN 0252032462, ix, 218
Book
05/2018, 1, ISBN 9789888455812, 308
Staging Revolution refutes the deep-rooted notion that art overtly in the service of politics is by definition devoid of artistic merits. As a prominent... 
Operas, Chinese | History | Performing Arts | Theater | Asia | China | PERFORMING ARTS | HISTORY | China-History-Cultural Revolution, 1966-1976 | Operas, Chinese-20th century-History and criticism | Operas, Chinese-Political aspects
eBook
01/2017, ISBN 9780252040566
Book
Journal of Voice, ISSN 0892-1997, 2017, Volume 31, Issue 4, pp. 511.e1 - 511.e9
Summary China's traditional Peking Opera has four standard categories of roles: Sheng, Dan, Jing, and Chou, the singing vibrato of each displaying a different... 
Otolaryngology | Peking Opera | Categories of roles | Singing vibrato | Fundamental frequency | Rib cage respiration | OTORHINOLARYNGOLOGY | Young Adult | Singing | China | Humans | Middle Aged | Female | Male | Respiration | Speech Acoustics | Culture
Journal Article
Journal of Voice, ISSN 0892-1997, 2012, Volume 26, Issue 2, pp. 137 - 143
Summary Acoustic characteristics of classical opera singing differ considerably between the Western and the Chinese cultures. Singers in the classical Peking... 
Otolaryngology | Singing | Classical Peking opera | Scale tone intervals | Vibrato | Spectrum slope | Long-term-average spectrum | Singer’s formant cluster | Singer's formant cluster | OTORHINOLARYNGOLOGY | SPEECH | TERM-AVERAGE SPECTRUM | Male | Speech Acoustics | China | Humans | Music | Culture | Acoustic properties | 27-2042 Musicians and Singers | Analysis | Popular music | Musicians | Singers
Journal Article
Journal of Voice, ISSN 0892-1997, 07/2019, Volume 33, Issue 4, pp. 583.e9 - 583.e14
We aimed to delineate the acoustic characteristics of the Laodan and Qingyi role in Peking Opera and define glottis closure states and mucosal wave changes... 
Xiao sang | Da sang | Glottal changes | Acoustic features | Peking opera | AUDIOLOGY & SPEECH-LANGUAGE PATHOLOGY | OTORHINOLARYNGOLOGY | Glottis - physiology | Singing | Stroboscopy | Glottis - diagnostic imaging | Humans | Occupations | Acoustics | Phonation | Laryngoscopy | Sound Spectrography | China | Adolescent | Female | Voice Quality | Acoustic properties | Singers
Journal Article
2002, Michigan monographs in Chinese studies, ISBN 9780892641369, Volume 88, ix, 425
Book
2003, BRITISH ACADEMY POSTDOCTORAL FELLOWSHIP MONOGRAPH., ISBN 0197262732
Book
2006, PALGRAVE STUDIES IN THEATRE AND PERFORMANCE HISTORY., ISBN 9781403973276
Book
Cognitive Neurodynamics, ISSN 1871-4080, 12/2016, Volume 10, Issue 6, pp. 535 - 541
Journal Article
Multicultural Shakespeare: Translation, Appropriation and Performance, ISSN 2083-8530, 12/2013, Volume 10, Issue 25, pp. 29 - 37
[...]death and sadness or other strong emotions are symbolically represented with dances, singings, acrobatics, and martial arts so that audiences are always... 
Productions | English Literature | Sixteenth Century | Operatic Adaptations | Chinese Theatre | William Shakespeare | 1500-1599 | drama | theatrical adaptation | China | English literature | Shakespeare, William | Peking opera | Sleep | Drama | Audience | Psychology | Voice professionals | Aesthetics | Opera | Emotions | Adaptation
Journal Article
1993, 1st ed., ISBN 9780688120207, x, 255
Book
Nordlit: Tidsskrift i litteratur og kultur, ISSN 0809-1668, 02/2015, Issue 34
As part of a globalized phenomenon, the reproductions of Ibsen’s plays on the Chinese theatrical stage increasingly focus upon the exploration and expansion of... 
Richard Schechner | Bertolt Brecht | Alienation Effect | Fourth Wall | Intercultural | Peking opera
Journal Article
友声:英文版, ISSN 1000-9582, 2015, Issue 2, pp. 21 - 23
<正>On April 2 and April 3,Chinese Peking Opera and Japanese Kabuki were performed on the same stage to sellout audiences at the Beijing Mei Lanfang Grand... 
Peking;Mirror;Japanese;Grand;Theater;exchanges;cir
Journal Article
Theatre Research International, ISSN 0307-8833, 3/2011, Volume 36, Issue 1, pp. 33 - 46
Jingju ('Beijing opera') is China's most iconic traditional theatre, marketed as a global signifier of Chinese theatre and national identity. Although troupes... 
THEATER | Chinese literature | 1900-2099 | opera | theater | Chinese identity | English literature | sexual difference | authenticity | 1900-1999 | hybridity | theatrical production | Peking opera | Theater | Evaluation | Art | 20th century | National identity | Transnationalism | Diaspora | Chinese | Actors | Schools | Language culture relationship
Journal Article
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