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Journal Article
友声:英文版, ISSN 1000-9582, 2012, Issue 4, pp. 24 - 25
<正>At the invitation of the Municipal Government of Marmande, France and the Festival de Sylvanes, a Chinese Peking Opera troupe, drawn mainly from the... 
French | invitation | helping | exchanges | founded | Peking
Journal Article
CHINOPERL: Journal of Chinese Oral and Performing Literature, ISSN 2051-6150, 2015, Volume 34, Issue 1, p. 78
Journal Article
CHINOPERL: Journal of Chinese Oral and Performing Literature, ISSN 2051-6150, 2016, Volume 35, Issue 2, p. 89
Journal Article
友声:英文版, ISSN 1000-9582, 2015, Issue 2, p. 54
Journal Article
Studies in Theatre and Performance, ISSN 1468-2761, 01/2011, Volume 31, Issue 3, pp. 275 - 291
Jingju (Beijing Opera) is widely considered to be a fundamentally non-naturalistic practice that became known in the West after it caught the attention of... 
Beijing Opera | innovation | Jingju | Assemblage | Naturalism | Deleuze | Innovation | THEATER | Chinese literature | Mille plateaux | Deleuze, Gilles | opera | dramatic form | theater history | Guattari, Félix | 1900-1999 | Peking opera | acting | A Thousand Plateaus
Journal Article
2006, Di 1 ban., ISBN 7806963464, 3, 277
Book
友声:英文版, ISSN 1000-9582, 2010, Issue 2, pp. 38 - 39
<正>On November 26, 2009,more than 2,000 theatre-goers filled Sun Plaza Theatre in Nakano,Tokyo to full capacity.They were avidly reading the finely... 
printed | Tok | audience | waiting | cartoon | Peking | filled
Journal Article
CHINOPERL: Journal of Chinese Oral and Performing Literature, ISSN 2051-6150, 2017, Volume 36, Issue 2, p. 116
Journal Article
by Kay Li
Shaw, ISSN 0741-5842, 6/2019, Volume 39, Issue 1, pp. 76 - 97
The aim of this article is to examine Shaw and Chinese music, especially how his meeting the Chinese Peking opera superstar Mei Lan Fang (梅蘭芳 1894–1961) in... 
ARTICLES | 1894-1961 | Mei, Lanfang | 1902-1991 | History | Knowledge | Shih I | Hsiung, S. I | Beijing Jing ju tuan | 20th century | 1856-1950 | Music | China | Shaw, Bernard | Music and literature | Chinese music | THEATER | LITERATURE, BRITISH ISLES | Hsiung Shih I | Bernard Shaw | Mei Lan Fang | Peking opera | MEI,LANFANG
Journal Article
Asian Theatre Journal, ISSN 0742-5457, 10/2016, Volume 33, Issue 2, pp. 395 - 419
This article shows how Mei Lanfang and his associates created a "lyrical theatre" and created new possibilities for the female impersonator. Mei Lanfang and... 
Women | Literary criticism | EMERGING SCHOLARS | Theater | Gender roles | Emotional expression | Lyric poetry | Subjectivity | Impersonators | Poetry | Song lyrics | ASIAN STUDIES | IMPERSONATION | THEATER | Chinese literature | opera | Mei Lanfang | female impersonation | female subjectivity | lyricism | 1900-1999 | Peking opera | Operas | Performances | Actors | Criticism and interpretation | Actresses | Impersonators, Female | Aesthetics | Eye movements | Books | Females
Journal Article
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