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2017, Oxford handbooks, ISBN 0199372136, xxx, 700 pages
Music | Technological innovations | Instruction and study | Digital citizenship | Educational change | Music literacy | Creative practice | Educational technologies | Evidence-based education | Preservice teachers | Technology skill development | Participatory culture | Sound and place | Initial teacher education | Deterritorialization | Adaptive technology | Distinction | Learners with exceptionalities | Makers | Music learning | Music education curriculum | Africa | Techno-human future | Praxis shock | Long-distance learning | Musical subjectivity | Pop | Twenty-first-century skills | Instrument-making | Universal design for learning | Romanticism | Technological determinism | Finland | Stakeholders | Teacher preparation | Music teacher education | Learning and teaching | Music teacher roles | Problem-finding | Authority | Musicians workshop | Disabilities | Slow music | Collaborative model | School classrooms | Contextual | Innovation | Faculty development | Literacies | Innovative pedagogies | Professional development | Communication | Context | Multimedia | Social | Skill development | Techné | Public health communication | Self-determination | Social technologies | Musically educated | Education technology | Irrelevant | West africa | Out-of-school learning | Curriculum | Place | Power | Participation | Enabling technologies | Humans | Music notation | Totally pedagogized society | European perspectives | Living well with less | Learner-centered | Metaphor | Multiarts | Teaching | Learning | Creative literacy | Networked technologies | Heidegger | Pedagogical fundamentalism | Peer-to-peer learning | Technology and music creativity | Sound recordings | Teenagers | Digital technology | Primary schools | Creation | Technological affordances | Interaction | Behavior change | Parochial practice | English secondary schools | Music teacher preparation | Music technologies | Democratic education | Scepticism | Music technology | Digital audio workstations | Maker space | Technology integration | Technological limitations | Tpack | Mobile learning | Information and communication technology | Internet | Savoring | Teacher attitudes | Practice-led enquiry | Greek education | Postsecondary music education | Teacher resistance | Inclusion | Epistemology | Hip-hop | Administrative technologies | Equity | Risk | Narcissism | Higher education change | Poiesis | Classroom music teaching | Classroom | Community music | Digital pedagogy | Technology traditions | Authentic processes | Autonomy | Children | Music education technology | Popular music | Aristotle | International | Non-formal music education | Composition | Health | Globalization | Pop music | Rhythmic video games | Exploration | Motivate | Learner/musician | Apprenticeship | Higher education | Slow food | Informal learning | Community | Gender issues | Music fluency | Education policy | Autonomy popular music | Credentialing | Education 3.0 | Communities of musical practice | Music education | Prosumer | Technology access | School-based routes | Pre-service teachers | Ict in music education | Musical intelligence | Mediatization | Augmenting music | Local | Disease control | Creativity | Technologies | Technology competencies | Local context | Totally technologized society | Teacher educator | Teaching with technology | Performance | Sociocultural | Digital natives | Texas music education | Guinea | Diversity | Teacher certification | Invention | Ensembles | Implementation | Empowerment | Technogenesis | Well-being | Music teachers’ concerns | Sociology | Musical analysis | Informal music learning | Digital literacies | Pedagogy in-service preservice | Sequencing | Information communications technology | Communities of response | Conservatory model | Tools | Spreadability | Flow | Learning resources | African context | Interest-driven learning | Play | School experience | Pedagogy | Recording | Differentiation | Integration of technology | Policy | Choice | Digital arts | Music teacher certification | Limitations | Passeur culturel | Celebrities | Radical pedagogy | Education | Ofsted | Technology | Learner agency | Electronica | Culture | Musicking | Role of technology | Pedagogical paradigms | Teacher training | Digital culture | Ethnomusicology | Youth | Vulnerability | Pressure | Mobile technologies | Place philosophy | Digital media | Piano | Groove | School music | Internet evolution | Software | Musicianship | Technology use philosophies of technology | Assimilation | Facilitator | Constructionism | New media | At-risk student | Self led development | Music teacher educators | Rhythmic video games music technology | Notation | Music making | Perspective | Music experience | Higher music education | Participatory music | East timor | Music theory | Triple revolution | Portfolios | Ethnography | Futurism | Gcse examination | Music teacher attitudes | West | Fear of change | Digital music | Opportunities | Change | Commodification | Linguistic relativity | Digital instruments | Technological assimilation | Digital learners | Inclusive | Pluralism | Collaboration | Teacher education
Book
2014, The key debates, ISBN 9089645713, Volume 4, 413
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2009, Blackwell companions to philosophy, ISBN 9781405146012, xv, 571
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2014, 2014 edition., Cornell studies in comparative history., ISBN 9780801479809, xx, 430 pages
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1988, Cambridge Studies in the History of Science, ISBN 9780521228558, viii, 248
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2014, Palgrave pivot., ISBN 9781137476647, viii, 101
Psychological aspects | Self-presentation | Social media | Self-perception | Technology & Engineering | Self-representation, self-presentation, self-portraits, selfies, life-writing, blogging, blogs, wearables, quantified self, big data, surveillance, panopticon, new aesthetic, machine vision | New Media and Digital Media | Media Studies | Media, information & communication industries | Popular Culture | Personality | Cultural and Media History | Cultural Theory | Media and Cultural Theory | quantitative self | Self-portraits | Blogs | wearables | selfies | personal data | self-portrait | Instagram | self-representation | dataism | big data | Facebook | Cultural and Media Studies
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2012, Engineering studies series, ISBN 0262018268, xvii, 286
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2017, ISBN 9780300215878, xii, 240 pages
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2017, ISBN 9781107180833, xiii, 228 pages
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2019, 1st edition 2019., Educational Communications and Technology: Issues and Innovations., ISBN 3030026302, 231
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2011, 1st ed., ISBN 9780415581424, x, 181
Education | Computer-assisted instruction | Cyberspace | Internet | Technological innovations | Social aspects | Information technology | Effect of technological innovations on | Education Studies | Higher Education | Sociology of Education | Adult Education and Lifelong Learning | Education Policy & Politics | Open & Distance Education and eLearning | Theories of Learning | Cyberspace - Social aspects | Aging (Individuals) | Physical Environment | Social Change | Climate | International Education | Demography | Educational Environment | Social Justice | Educational Change | Curriculum Design | Disadvantaged | Role of Education | United Kingdom | Educational Policy | Foreign Countries | Futures (of Society) | Interpersonal Relationship | Change Strategies | Educational Technology | Democracy | Technological Advancement | Influence of Technology | Science and Society | Educational Innovation | Educational change | Educational innovations
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2017, ISBN 9783319597973, xi, 167 pages
Mass media and culture | Mobile communication systems | Social aspects | Social media | Phenomenology | Philosophy of Technology | Cultural Anthropology | Literature, Cultural and Media Studies | Media and Communication | Cultural and Media Studies | Cultural Theory | Telecommunication | Cell phones | Communication and culture | Social interaction
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Research in philosophy & technology, ISSN 0161-7249, 1978
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2017, ISBN 0262035464, 320 pages
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2014, First edition., Palgrave pivot., ISBN 9781137487445, v, 112 pages
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2017, ISBN 1474273033, xiii, 174 pages
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Research in philosophy & technology. Supplement, ISSN 8756-9299, 1984
Journal