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Contemporaneity: Historical Presence in Visual Culture, ISSN 2153-5914, 06/2014, Volume 3, pp. 21 - 37
This essay examines the disruption of linear time in experimental forms of “history painting” as represented by Dierk Schmidt’s SIEV-X—On a Case of Intensified... 
history painting, counter-memory, heterochronia, Dierk Schmidt, refugees
Journal Article
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