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Publication Date Publication Date
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1. Gradual-troper, with calendar, antiphons, and sequences
and Catholic Church. Troper (Bologna)Catholic Church
1000
Sequences (Liturgy) | Tropers | Antiphonaries | Gregorian chants | Graduals (Liturgical books)
Microfilm
Details down arrow
2. Sequentiae de tempore et in festis sanctorum, neumis sive accentibus musicis instructae
British Museum
1000
Facsimiles | Music | Manuscripts, Latin | Sequences (Music) | Manuscripts
Microfilm
Details down arrow
3. Graduel de Saint-Vaast d'Arras
: précédé du calendrier, du Kyriale et des sequelae de l'Alleluia, suivi de la liturgie des funérailles
and Catholic ChurchCambrai, France. Bibliothèque municipale
1000
Facsimiles | Music | Graduals (Chants) | Sequences (Music) | Manuscripts
Microfilm
Details down arrow
4. Missal, with sequentiary
and Rouen. Bibliothèque municipaleCatholic Church
1200
Facsimiles | Music | Missals | Manuscripts, Latin | Sequences (Music) | Manuscripts
Microfilm
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5. Graduel de Sarum (Salisbury) suivi des séquences et du Kyriale
and Catholic ChurchBritish Museum
1275
Facsimiles | Music | Graduals (Chants) | Sequences (Music) | Manuscripts
Microfilm
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6. Graduel de Paris, suivi des séquences (principalement oeuvres d'Adam de Saint-Victor) et du Kyriale
and Bibliotheque de l'ArsenalCatholic Church
1300
Graduals (Chants) | Sequences (Music)
Microfilm
Details down arrow
7. Durham missal, with sequences
and Catholic ChurchBritish Museum
1300
Facsimiles | Music | Missals | Manuscripts, Latin | Sequences (Music) | Manuscripts
Microfilm
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8. Graduel de Roncton (prieuré du diocèse de Worcester) avec séquences aux fêtes
and Catholic ChurchBritish Museum
1300
Facsimiles | Music | Graduals (Chants) | Sequences (Music) | Manuscripts
Microfilm
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9. Sequences; flyleaf from MS. 3997
Vienna, Austria. Nationalbibliothek
1400
Facsimiles | Music | Sequences (Music) | Manuscripts
Microfilm
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10. Sequences
: flyleaf from MS. 3997
Vienna, Austria. Nationalbibliothek.MSS.(S.N. 13970)
1400
Facsimiles | Music | Sequences (Music) | Manuscripts
Music Score
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11. Full Text Hours
1450
Evangelist: Symbol, John | Use: Rome (Hours of the Virgin) | Evangelist, John 1. Portrait | Ornament: floreate, border | Ornament: foliate, border | Building: City | Hours, Gospel Sequence of John | Use: Lyons ? (Calendar) | Scribe: Evangelist John
Manuscript
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12. Full Text Hours
by Master of the Harley Froissart
1450
Plant: Pine Cone | Icon: Virgin Mary | Furniture: Bed, Canopy Type | Use: Paris (Calendar, Hours of the Virgin, Litany, Office of the Dead) | Building: Room | Hours, Gospel Sequence of Luke | Scene, Occupational: Painting | Evangelist, Luke: painting Virgin Mary | Evangelist: Symbol, Luke | Building: Room, Bedroom | Use: Male (Obsecro te and O intemerata)
Manuscript
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13. Full Text Hours
1450
Building | Hours, Gospel Sequence of Mark | Use: Rome (Hours of the Virgin) | Furniture: Stool | Ornament: floreate, border | Evangelist, Luke 1. Portrait | Ornament: foliate, border | Building: Portico | Use: Lyons ? (Calendar) | Evangelist: Symbol, Mark
Manuscript
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loading Loading Rights
14. Full Text Hours
by Master of the Harley Froissart
1450
Plant: Pine Cone | Icon: Virgin Mary | Furniture: Bed, Canopy Type | Use: Paris (Calendar, Hours of the Virgin, Litany, Office of the Dead) | Building: Room | Hours, Gospel Sequence of Luke | Scene, Occupational: Painting | Evangelist, Luke: painting Virgin Mary | Evangelist: Symbol, Luke | Building: Room, Bedroom | Use: Male (Obsecro te and O intemerata)
Manuscript
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loading Loading Rights
15. Full Text Hours
1450
Evangelist: Symbol, Matthew | Use: Rome (Hours of the Virgin) | Hours, Gospel Sequence of Matthew | Evangelist, Matthew 1. Portrait | Ornament: floreate, border | Ornament: foliate, border | Building: Portico | Building: City | Use: Lyons ? (Calendar)
Manuscript
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loading Loading Rights
16. Full Text Hours
by Master of the Harley Froissart
1450
Evangelist: Symbol, Matthew | Building | Use: Paris (Calendar, Hours of the Virgin, Litany, Office of the Dead) | Statue | Hours, Gospel Sequence of Matthew | Evangelist, Matthew 1. Portrait | Building: City Wall | Flower: Columbine ? | Use: Male (Obsecro te and O intemerata) | Utensil: Weather Vane
Manuscript
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loading Loading Rights
17. Full Text Hours
1450
Building | Hours, Gospel Sequence of Mark | Use: Rome (Hours of the Virgin) | Furniture: Stool | Ornament: floreate, border | Evangelist, Luke 1. Portrait | Ornament: foliate, border | Building: Portico | Use: Lyons ? (Calendar) | Evangelist: Symbol, Mark
Manuscript
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loading Loading Rights
18. Full Text Hours
by Master of the Harley Froissart
1450
Evangelist: Symbol, Matthew | Building | Use: Paris (Calendar, Hours of the Virgin, Litany, Office of the Dead) | Statue | Hours, Gospel Sequence of Matthew | Evangelist, Matthew 1. Portrait | Building: City Wall | Flower: Columbine ? | Use: Male (Obsecro te and O intemerata) | Utensil: Weather Vane
Manuscript
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loading Loading Rights
19. Full Text Hours
by Master of the Harley Froissart
1450
Flower: Columbine | Evangelist: Symbol, John | Use: Paris (Calendar, Hours of the Virgin, Litany, Office of the Dead) | Evangelist, John: Scene, on Patmos | Evangelist, John: Scene, Devil stealing Inkpot | Palm: held by Evangelist Symbol, John | Hours, Gospel Sequence of John | Plant: Strawberry | Utensil: Stylus Case | Use: Male (Obsecro te and O intemerata)
Manuscript
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loading Loading Rights
20. Full Text Hours
1450
Evangelist: Symbol, John | Use: Rome (Hours of the Virgin) | Evangelist, John 1. Portrait | Ornament: floreate, border | Ornament: foliate, border | Building: City | Hours, Gospel Sequence of John | Use: Lyons ? (Calendar) | Scribe: Evangelist John
Manuscript
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loading Loading Rights
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