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2012, Univers musical, ISBN 9782336006178, 363
Book
2001, Bio-bibliographies in music, ISBN 0313272379, Volume no. 85, 200
Book
2016, ISBN 9784163904092, 781 pages, 8 unnumbered pages of plates
Book
2016, ISBN 9784276226906, 448, 21 pages
Book
1981, Ongaku no techō, 242
Book
2001, Music in the twentieth century., ISBN 0521782201, xi, 294
Toru Takemitsu (1930–1996) was the best-known Japanese composer of his generation, bringing aspects of Eastern and Western traditions together, yet he remained something of an elusive figure... 
Takemitsu, Tōru Criticism and interpretation
Book
Journal of Film Music, ISSN 1087-7142, 12/2010, Volume 3, Issue 1, pp. 37 - 49
This article explores Masahiro Shinoda's cinematography and Toru Takemitsu's soundtracks in the Japanese film Double Suicide (1968... 
Musicology | Film Studies | Music Theory | Takemitsu, Toru | Shinoda, Masahiro
Journal Article
Journal of Film Music, ISSN 1087-7142, 12/2010, Volume 3, Issue 1, pp. 65 - 78
Toru Takemitsu created music for more than a hundred films, but only one was for a major Hollywood studio, Rising Sun (1993... 
Film Studes | Film Music History and Criticism | Music Theory | Takemitsu, Toru | Kaufman, Philip | Crichton, Michael
Journal Article
Journal of Film Music, ISSN 1087-7142, 12/2010, Volume 3, Issue 1, pp. 51 - 64
In this essay [Deguchi discusses] two types of music that Takemitsu composed for Kurosawa's Ran (1985), for which Shakespeare's King Lear provides the... 
film studies | musicology | Takemitsu, Toru | Kurosawa, Akira | Mahler, Gustav
Journal Article
2000, Jinsei no essei, ISBN 9784820566588, Volume 9., 172
Book
Contemporary music review, ISSN 0749-4467, 03/2018, Volume 37, Issue 1-2, pp. 20 - 35
.... I will discuss early musique concrete composed by Toru Takemitsu (1930-1996) to consider his unique approach to the genre, especially his treatment of the human voice. 
Musique concrète | Toru Takemitsu | Human Voice | Musique concrete | MUSIC | Composers | Takemitsu, Toru | 20th century | Asian culture | Classical music | Experimental music
Journal Article
Journal of Film Music, ISSN 1087-7142, 12/2010, Volume 3, Issue 1, pp. 5 - 17
As an introduction to the volume of the Journal of Film Music devoted to the film scores of Fumio Hayasaka and Toru Takemitsu, this article explores Hayasaka's artistic legacy in establishing... 
Musicology | Film Studies | Music Theory | Takemitsu, Toru | Hayasaka, Fumio | Kurosawa, Akira | Kaufman, Philip | Mizoguchi, Kenji
Journal Article
UNIVERSITAS-MONTHLY REVIEW OF PHILOSOPHY AND CULTURE, ISSN 1015-8383, 11/2018, Volume 45, Issue 11, pp. 109 - 126
Compositional sketch in music, in its common understanding, is the preliminary representation of music in notation that for a long time has been by default... 
Music | PHILOSOPHY | Sketch | Toni Takemitsu | Japanese Aesthetics | Temporality
Journal Article
Journal of New Music Research, ISSN 0929-8215, 09/2002, Volume 31, Issue 3, pp. 211 - 220
In November Steps (1967), biwa and shakuhachi are included as soloists along with an orchestra of Western instruments. The juxtaposition of these two groupings... 
MUSIC | COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS
Journal Article
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, ISSN 2345-1408, 11/2018, Issue 2(33), pp. 40 - 45
.... The piano music heritage of Toru Takemitsu is analysed in the context of his musicological and literal essays... 
programme music | aesthetics of the composer’s style | toru takemitsu | piano music | author’s commentaries | japanese ma-concept
Journal Article
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